$10-$20
Suggested Donation for Performances
(nobody turned away)
(nobody turned away)
2025

A
one-night-only evening of site-specific,
interdisciplinary improvisation, featuring four local
artists and Cannery resident Brian Rogers in a two-day
collaboration. Rogers, a video and sound artist based
in New York City, will be joined by musicians Phillip
Greenlief and Leslie Ross, writer Claudia La Rocco,
and choreographer Meg Wolfe. The event builds on
various histories among these individuals, all of whom
have long solo and collaborative track records, but it
will be the first time the entire quintet has worked
as an ensemble.
![]() Since
his emergence on the west coast in the
late 1970s, saxophonist/composer Phillip
Greenlief has achieved international
acclaim for his recordings and
performances with musicians and composers
in the post-jazz continuum as well as new
music innovators and virtuosic
improvisers. He has performed with Wadada
Leo Smith, Meredith Monk, Rashaun Mitchell
& Silas Reiner, and They Might Be
Giants. Albums include two LANTSKAP LOGIC
TRIO releases (w/ Evelyn Davis and Fred
Frith), THAT OVERT DESIRE OF OBJECT with
Joelle Leandre, ALL AT ONCE with FPR
(Frank Gratkowski and Jon Raskin), and OH
THAT MONSTER with LA punk pioneers
Thelonious Monster.
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Brian Rogers is a theater and film
director, video and sound artist, and
performing arts curator. Since 1997, Brian
has created films, performances, albums,
and other time- based projects including
Small Songs (2023/2024), Screamers (2018),
Hot Box (2012, co-presented with FIAF’s
Crossing The Line Festival / PS122’s COIL
Festival / EMPAC Center, Troy NY and
supported by a MAP Fund grant), and the
Bessie-nominated Selective Memory (2010).
Brian has collaborated as a sound and
video artist with numerous experimental
dance and theater artists in NY and
elsewhere. Brian is the Co-Founder and
Artistic Executive Director of The Chocolate
Factory Theater , an internationally
recognized venue for experimental dance,
theater, and interdisciplinary performance
based in Long Island City, Queens, New
York City. Brian serves as chief curator
of the organization’s artistic programming
(now in its 21st year) and leads its
artistic and administrative operations.
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![]() Claudia
La Rocco is the author, most recently,
of the novella Drive By (Smooth Friend) and
the chapbook-length essay Certain Things
(Afternoon Editions). With musician/composer
Phillip Greenlief, she is animals &
giraffes, an improvisation collective that
has released three albums and performs with
collaborators from various disciplines. Her
multi-genre novel petit cadeau was published
in live, digital, and print editions by The
Chocolate Factory. Her lectures and live
works have been presented by The Walker Art
Center, Dancehouse Australia, The Whitney
Museum of American Art, et al. She edited I
Don’t Poem: An Anthology of Painters (Off
the Park Press) and Dancers, Buildings and
People in the Streets, the catalogue for
Danspace Projectʼs PLATFORM 2015, which she
curated. La Rocco was a critic for The New
York Times, editorial director of Open
Space, and editor of The Back Room. Her
second selected writings is forthcoming from
Soberscove Press.
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![]() Leslie
Ross
-bassoonist,
composer & sound artist, sound
installation artist & performer-
took a plunge in the 80's into the dance and
music improv scene of downtown NYC and has
immersed herself in experimental music ever
since. Leslie has presented solo acoustic
and electro-acoustic programs, exhibited
sound installations, worked with
choreographers and played and toured with
numerous musicians throughout the US, Canada
and Europe at: Dance Space Project, PS 122,
Jack Tilton Gallery, Lincoln Center Summer
Stage, DIA, Roulette Intermedium,
Experimental Intermedia, Issue Project Room,
The Western Front, Skoll, Het Apolohuis, De
Ijsbreker, LOGOS Foundation, Rote Fabrik
among other places.
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In
residence at the Cannery, Brian Rogers will
collaborate with writer Claudia La Rocco on the
creation of a new film project combining Brian’s
images with Claudia’s words, as he continues to
gather material for his ongoing audiovisual
practice, Small Songs.
Tuesday's Small Songs screening, made from footage captured during several cross-country road trips between 2021 and 2024, is an abstract auto-fictional travelogue —and a love letter to the late visual artist Nancy Holt— .
Tuesday's Small Songs screening, made from footage captured during several cross-country road trips between 2021 and 2024, is an abstract auto-fictional travelogue —and a love letter to the late visual artist Nancy Holt— .